Nature-depleted Scotland needs a new era of rewilding says landmark book

A sticking plaster approach to conservation is failing Scotland’s wildlife – and with species such as red squirrel, wild cat and capercaillie declining or on the edge of extinction, a new era of massive rewilding is needed, says a landmark new book from Trees for Life and SCOTLAND: The Big Picture.

Scotland has space and opportunity to take a fresh approach, with people working with nature, not against it, and allowing ecosystems to restore themselves on a large-scale, say the authors of Scotland: A Rewilding Journey, which is being launched in Inverness this evening.

“Right now, nature is in steep decline – but Scotland is perfectly placed to become a rewilding world-leader. Our wild places can flourish if we allow nature to work in its own way on a big scale, with a helping hand in places. There would be huge benefits for people – from our health and wellbeing to creating sustainable jobs in rural areas,” said Steve Micklewright, Chief Executive of Trees for Life.

Illustrated by world-class images captured by top nature photographers over three years, and with essays from leading commentators, the book lays out an inspiring vision of how rewilding forests, peatlands, rivers, moorlands and the ocean could transform Scotland for the better.

Deforestation, deer and sheep grazing, burning moors for grouse hunting, exotic conifers and denuded seas have left Scotland as one of the world’s most nature-depleted countries, its landscapes supporting fewer people than previously as a result. Climate change now poses a major threat.

Returns or rebounds of species like beavers, sea eagles and pine martens happen slowly. Birds of prey like hen harriers are persecuted. Wolf, crane, wild boar, elk and lynx were all made extinct long ago.

“For decades we’ve been trying to save nature piecemeal – a rare bird or insect here, a fragment of woodland there. But climate change and biodiversity loss now present critical threats to our survival, and saving bits and pieces of nature isn’t enough. As a wealthy country with plenty of space, we can do so much better,” said the book’s co-author Peter Cairns, Director of SCOTLAND: The Big Picture.

Despite superb nature reserves, amazing patches of Caledonian pinewood and new Marine Protected Areas, nature is now hugely fragmented and diminished across Scotland. Its awe-inspiring landscapes are often ecological deserts, stripped of woodlands. Only 1.5 per cent of its land is national nature reserves, while a quarter is ecologically impoverished grouse moors or deer forests.

Scotland’s seas are in trouble too – with wild salmon stocks declining, heavy dredging raking the sea floor, and gannets feeding their chicks plastic waste.

The book’s publication aims to be a watershed moment in the rapidly growing movement for rewilding, and a catalyst for change by shifting attitudes and perceptions, and sparking debate and discussion.

Momentum for rewilding has been highlighted by widespread calls for the return of the lynx, reintroduction of beavers, and initiatives such as Cairngorms Connect – a land manager partnership that is enhancing habitats across a vast stretch of Cairngorms National Park.

There has also been huge public support for Scotland: A Rewilding Journey’s publication. The book was funded by a successful crowdfunding appeal run by Trees for Life, and is supported by an alliance of organisations including Reforesting Scotland, Rewilding Britain, Rewilding Europe, The Borders Forest Trust, The European Nature Trust, and Woodland Trust Scotland.

Bringing back trees would be a good start for major rewilding. Only four per cent of Scotland is native woodland. Rewilded woodlands like Glen Affric could be enjoyed across the country by expanding pinewoods into a grand nationwide network. This would help red squirrels, crested tits and capercaillie, which can’t cross large areas of open ground and are now imprisoned in isolated islands of woodland.

The book aims to encourage conversations and cooperation between different audiences and groups. Rewilding can co-exist well with farming, forestry and recreational activities. It encourages conservationists and landowners to work together with mutual respect. Cooperation between deer managers and conservationists could help resolve over-grazing in the Highlands – which prevents woodlands from regenerating – with sporting traditions enjoyed in more natural settings.

Soaring deer numbers could also be managed by allowing the return of apex predators such as wolf and lynx, when the time is right and when public opinion is prepared to welcome them back. Restoring large areas of wild places could provide employment, especially in the Highlands and Islands. Otters, deer, puffins and sea eagles all support a growing nature tourism economy.

Nature’s benefits also include beavers preventing flooding, trees providing food, and peatlands soaking up carbon dioxide. Studies show how nature boosts people’s health and is good for children.

Scotland: A Rewilding Journey (£25 from www.scotlandbigpicture.com)is published by SCOTLAND: The Big Picture, a non-profit social enterprise that includes leading nature photographers and filmmakers, and promotes the benefits of a wilder Scotland through stunning visual media.

Cover image: © Scotlandbigpicture.com

Call for public support towards a wilder Scotland

Golden eagles, beavers, ospreys and pine martens will take centre stage in a landmark new conservation book aiming to inspire a change in attitudes and a move towards a wilder Scotland.

Scotland: A Rewilding Journey will lay out a vision of how rewilding could transform Scotland and benefit its people and wildlife.  It is being supported by a crowdfunding appeal launched by conservation charity Trees for Life.

The book, to be published this autumn, is written and edited by some of Scotland’s most prominent conservationists – including John Lister-Kaye and Duncan Halley – with stunning images from many of the country’s top nature photographers, who have spent three years capturing the beauty and drama of Scotland’s wild landscapes and wildlife.

Steve Micklewright, Trees for Life’s Chief Executive, writes:

“Despite its raw beauty, the Scottish landscape is today an ecological shadow of its former self. It wasn’t so long ago that vibrant, wild forest stretched across much of Scotland, with beavers and cranes at home in extensive wetlands, salmon and trout filling rivers, and lynx and wild boar roaming in woodlands.

“Yet now our large carnivores are extinct, our woodlands reduced to small fragments, and a degraded landscape supporting little life stretches across millions of acres. But it doesn’t have to be this way. This book will be a major rallying call for rewilding – helping to make Scotland a place where nature works, wildlife flourishes and people prosper.”

Trees for Life is the main sponsor of the book, which is also being supported by Reforesting Scotland, Rewilding Britain, The Borders Forest Trust, and Woodland Trust Scotland.

The book will be published by SCOTLAND: The Big Picture (www.scotlandbigpicture.com), a non-profit social enterprise that includes many leading nature photographers and film-makers, and which promotes the benefits of a wilder Scotland for people and wildlife through stunning visual media.

Trees for Life’s crowdfunding campaign runs from 25 June-23 July 2018, and offers people the opportunity to support publication of the book and its urgent conservation message by helping to raise £20,000. A range of rewards for supporters include a stay in a wilderness cabin, wildlife photography workshops, fine art posters and signed editions of the publication.

Photographer and Director of SCOTLAND: The Big Picture, Peter Cairns – who is editing the book with Susan Wright – writes:

“Scotland: A Rewilding Journey will lay out a powerful vision for a future Scotland, where eagles soar, red squirrels forage and beavers engineer new wetlands.

“It is being published at a tipping point in the history of Scotland’s landscapes, with a growing understanding of the benefits of a wilder environment for people and nature. We want the book to ignite fresh conversations and forge new relationships with the people who shape Scotland’s landscapes – including key landowners, policy makers and rural interest groups.”

Adding: “Worldwide, short-term economics are wrecking nature – sometimes irreversibly. Our climate is changing, species are being lost forever, and vital natural resources such as clean air and water are under threat. Everyone who supports Scotland: A Rewilding Journey will be helping to make the case for a new approach, in which Scotland is a world leader in environmental repair and restoration.”

Trees for Life works to restore Scotland’s ancient Caledonian Forest and its unique wildlife. For over 25 years, the award-winning charity has been pioneering ecological restoration or rewilding. Its long-term vision is to restore natural forests to a vast area of the Scottish Highlands, including its 10,000-acre Dundreggan Estate in Glenmoriston. See www.treesforlife.org.uk.

To support the crowdfunding campaign, visit crowdfunder.co.uk/rewilding.

Red Squirrel © scotlandbigpicture.com

Cover image: Eurasian Beaver © scotlandbigpicture.com

Butterflies: Poetry in Nature – Guest post by Jonathan Bradley

There is poetry everywhere in the natural world, but for me nowhere more so than in butterflies. What is poetic about butterflies? Poetry is a heightened form of writing that plays on our emotions and imagination. Poems use imagery, beautiful or expressive words, rhythms, rhymes and sounds that encourage us to see the world a little differently, as if through a lens. At their best, poems inspire an intensity of perception that changes the way we think and feel.

Butterflies can have similar effects on people, and have done so for thousands of years. In the foreword to my new book Papiliones, published on 2nd December 2017 by Choir Press, the author and naturalist Matthew Oates writes about this:

“Butterflies have long been in the poet’s eye. This fascination flows back to the ancient Greeks, who believed that the human soul departs from the body on the wings of a butterfly.They created Psyche, the goddess of the soul, from their word for a butterfly – psyche. There is also the symbolism of metamorphosis, which from a poetic angle is deeply profound, offering myriad possibilities and analogies with the human condition.”

He goes on to remind us that the poets Wordsworth and Coleridge wrote about butterflies and that a few years ago some modern poets published a collection entitled Shropshire Butterflies: A Poetic & Artistic Guide to the Butterflies of Shropshire, published by Fair Acre Press in 2011. T.S.Eliot, Edward Thomas the war poet, Vladimir Nabokov and many other poets and novelists have written about butterflies and their symbolism.

In my own case, I was originally drawn to butterflies by my children when they were young. On our country walks together I found that trying to stalk and spot birds with noisy toddlers was very frustrating because the birds would just fly away, and butterflies were less scared of us. Besides, they did not fly as fast. So we searched for them instead. They are so colourful, and occur in such beautiful places, that we were all captivated. My daughter and son now have children of their own and I am sure they will enjoy butterflies just as much.

Butterflies soon became a passion; then I realised that without friendly habitats they could not flourish, and that they represent a highly sensitive barometer of the natural world. Pollution, pesticides, reckless building development, loss of green spaces, and reduction of plant diversity, all result in the death or even extinction of butterflies.

Since the age of about fourteen I had always also loved poetry, and had written some of my own from time to time. My two passions for butterflies and poetry started to converge and the idea formed in my mind of writing a poem about every one of the sixty or so butterflies regularly seen in this country. As far as I could tell from my researches no-one had, or for that matter has now, ever done such a thing. When I had finished thirty-three of the poems I decided to publish those, with the intention of writing the rest in due course. I am trying to live a healthy life so that I have a chance of living long enough to finish the task!

My book Papiliones contains my thirty-three poems and one written by a poet friend, Mick Escott. Each of the butterflies featured in the book has a passage telling the story of its names in English and Latin. Some of these are poetic in themselves. The Small Blue butterfly for instance, which is scarcely bigger than a thumbnail bears the scientific Latin name “Cupido Minimus”, which roughly translates as “Tiny Cupid”. There is also a photograph of each butterfly in a natural setting. Here is the Small Blue story, quoted from my book:

“Known as Eros by the ancient Greeks, Cupido carried off the beautiful maiden Psyche, who then became his wife and a goddess. Psyche is also the Greek word for soul and, by happy coincidence, for butterfly. Cupido is traditionally depicted in art as a winged cherub carrying a bow and arrow to fire love-darts. In this case he is minimus because the Small Blue butterfly is tiny…”

My poem imagines a Small Blue butterfly needing only a tiny meal – a drop of nectar – to satisfy its “cupidity”, that is desire, appetite or even lust, and refers to the ancient concept of angels dancing on pinheads. Here is the poem, with a picture:

SMALL BLUE

Cupido minimus in the book

is small enough to overlook

and in the field

is well concealed

it’s a shy

little fly

a dullish hue

of muddy blue

a twinkle in its eye

and winking antennae

it indulges in

minimal cupidity:

a monstrous meal –

a tiny nectar drop

would perch atop

a pinhead

large enough

for minute angels

to light on

take flight from

like a new Small Blue.

In some ways butterflies lead ambivalent lives. On the one hand, they suffer the melancholy fate of decline or even extinction because of an implicit trust in human beings, who should be their guardians but have betrayed them. On the other hand they have a way of fighting back and surviving against the odds: they colonise railway embankments and vegetable gardens.

I feel that butterflies are part of the poetry of nature, and a world without butterflies would, in the end, be a world without people. The poems are about butterflies and about people; we depend on each other. Though they may not be aware of it, butterflies give us enormous pleasure, and in my case the inspiration to write about them. I very much hope that my book will help readers to enjoy the beauty and poetry of butterflies.

Jonathan Bradley, December 2017

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